Nashville Confidential

Nashville Confidential

A country music songwriter talks about his biggest hits.

May 03, 2007 

Country music songwriter Bobby Braddock has written or co-written 13 no. 1 hits, including Tammy Wynette’s “D-I-V-O-R-C-E” and George Jones’ “He Stopped Loving Her Today.” Braddock will be signing copies of his memoir, Down in Orburndale: A Songwriter’s Youth in Old Florida, at Alabama Booksmith on May 9.

B&W: In the 1960s, many people viewed the Nashville crowd as the heavy drinkers and the rock crowd as the drug addicts. But things weren’t as clear-cut as that, were they?

Braddock: Oh no, they weren’t. At Sony ATV, which was then Tree Publishing Company, back in the ’70s, we would regularly sit around listening to each others’ songs and, at the end of the day, smoking pot. I never got into cocaine because the speed screwed me up so bad. That left me with a lifelong fear of anything that was like an upper . . . I remember at one publishing company [in Nashville], there on a table as you got off the elevator—and this was atypical but it did happen—was a mirror with cocaine on it.

B&W: Of the hits that you co-wrote with Curly Putnam, “He Stopped Loving Her Today” and “D-I-V-O-R-C-E,” who wrote the lyrics and who wrote the melody?

Braddock: Well, I almost hate to answer that question, because of the way it comes out . . . For instance, on “D-I-V-O-R-C-E,” I had written the song and nobody had recorded it. And it had been around for several months. So I asked Curly Putnam, “Why isn’t anybody cutting my song?” And he said, “I think it’s sounds a little bit too happy for a sad song.” So I asked him what he would do. He said, “Well, it’s that one line at the end of the chorus, ‘I wish that we could stop this D-I-V-O-R-C-E.’” I had it happy, sorta like a detergent commercial. Just too happy sounding. So he sang this real mournful sounding thing and I said, “God, let’s get that on tape.” I took it to [producer] Billy Sherrill and he cut it right away [with Tammy Wynette].”

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Bobby Braddock (click for larger version)

B&W: Tell me about your song “Did You Ever?,” which George Jones and Tammy Wynette recorded in the 1970s.

Braddock: Nancy Sinatra and Lee Hazlewood covered that, and they did it almost exactly like the [early 1960s] Charlie Louvin and Melba Montgomery version, and it was a huge hit in the United Kingdom. I got to hang out with Paul McCartney in 1974, and the first thing he talked about was “Did You Ever?” He acted like it was a really big deal that I had written that song, and I was thinking, “Shit, man, all the songs McCartney’s written, and he’s impressed with that song.”

B&W: How did you meet McCartney?

Braddock: One of my publishing company’s attorneys was Lee Eastman, who was Linda McCartney’s father. And he told Buddy [Killen, of Tree Publishing] that Paul was wanting to come to Nashville and spend the summer. He wanted a really nice house, so they somehow convinced Curly Putnam to take a long vacation around the world with his wife. Apparently, Paul paid a lot more than somebody would normally pay someone to leave their house. Curly’s name is Claude Putnam, Jr., and Paul referred to Curly as “Junior,” and that’s what “Junior’s Farm” was about, it was about Curly’s house. Paul cut a few things in town while he was here, like “Sally G.”

B&W: In 2004 you said “George W. Bush may talk ‘country’ . . . but he’s more himself when he’s yukking it up with rich corporate types who don’t give a damn about middle-class folks.”

Braddock: Yeah, I think my foray into politics was probably a bad idea because you get branded with that partisanship. . . . But yeah, I think country music was hijacked, especially over the war issue. I have to be careful or else I get all worked up about it and say shit that I shouldn’t be saying . . . I’m on the left in some areas and on the right in others. I came away from the 2004 campaign and the main thing I got out of it more than anything else is just people yelling at each other. I do blame Bush for a lot of that. But I don’t have a problem with Republicans; there are a lot of Republicans that I really respect. I just hate the polarization—red state, blue state. Everybody getting mad. It’s crazy.

 

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Braddock, at far left, in one of the many bands he played in prior to his career as a Nashville songwriter. (click for larger version)

 

B&W: Don Helms, Hank Williams, Sr.’s steel guitar player, once told me that Williams believed that a performer shouldn’t talk about religion and politics, because the performer is in danger of losing half his audience.

Braddock: Marty Robbins [who gave Braddock his first piano-playing job in Robbins' band] used to get on stage and talk about Barry Goldwater. Back then, a lot of blue-collar, working-class country music fans were staunch Democrats. Marty didn’t care. There was a time in country music that people would take a stand that back then might have been perceived as left, and get by with it as long as it didn’t involve the racial issue. I don’t think people were split up in conservative and liberal camps.

B&W: I’ve read that George Jones initially didn’t like “He Stopped Loving Her Today” because he thought it was too sappy or too morbid.

Braddock: Too morbid . . . Yeah, he did. I don’t know if Billy Sherrill had to talk him into doing it, but I don’t think George was totally on board with it being a single. George made a bet with Billy for a $100 whether it would be a hit or not. Billy said George told him, “Nobody’s gonna play that morbid son of a bitch.”

I have mixed feelings about the song anyway. I didn’t know it was all that good a song until Billy played me George’s cut of it. I heard that and I thought, “Oh, man. There’s something here.” I think that’s an instance of the artist and producer elevating it to greatness. I’m not saying it’s not a good song, but what they did with it turned it into something that was really magic.

B&W: Did you spend much time with George and Tammy when they were recording your songs?

Braddock: Not a lot socially. It was more like business stuff, running into them at things. Tammy invited me to her house a few times. I took care of George one day when he was drunk [laughs] . . . Somewhere along the way, probably in the past 15 or 20 years, I think George probably finally got it through his head that he is a great singer and is perceived by everybody as maybe the greatest country singer of all time. But I can remember when he was pretty self-effacing and didn’t really have a lot of self-confidence. He was almost apologizing when looking for songs, saying, “Well, I don’t wanna bother y’all,” and I said, “You’re George Jones, what are you talking about?” When he was recording “He Stopped Loving Her Today,” he was looking right at Tammy. Billy Sherrill recorded the singer live with the band, and that would be the keeper track. George sang it once and Billy said, “Jones, you need to sing this one more time.” And about that time Tammy came in with her new love, George Ritchey. And she sat down next to Billy Sherrill’s chair behind the console and the light in the control room was illuminating her face. And when George sang that, he was looking right at her. &

Bobby Braddock will read from and sign copies of his book at the Alabama Booksmith on May 9 at 6 p.m. Call 870-4242 or visit www.alabamabooksmith.com for additional details.

Crime Meeting Offers No Solutions

Crime Meeting Offers No Solutions

A buffet of rhetoric and statistics, but no new ideas, from area leaders.

May 03, 2007 

The Birmingham Association of Black Journalists (BABJ) held a Town Hall Meeting on Violence on April 19 at the Sixteenth Street Baptist Church. The event invited residents to “take part in the dialogue as a panel of city and state officials, law enforcement officers, criminal justice experts, and citizens discuss crime in our community and possible solutions to reduce it.” The evening amounted to little more than a gripe session by distraught citizens and deflections by leaders unwilling, or unable, to solve Birmingham’s crime problem.

Among area officials present were Birmingham Mayor Bernard Kincaid, Birmingham Police Chief Annetta Nunn, Jefferson County Sheriff Mike Hale, and Jefferson County District Attorney David Barber.

Many of the 100 residents in attendance emotionally addressed the panel about escalating crime and random violence witnessed in their neighborhoods. Several mothers discussed the horror of losing members of their families in drive-by shootings, other residents seemed to have a personal agenda (one man pitched his anti-violence DVD to area churches) or simply wanted to be on television (the meeting was broadcast on local stations).

It didn’t take long for religion to take center stage. Boasting that the homicide rate has decreased when compared to that of the two previous years, Chief Nunn said that primary credit for the reduction in murders should go to “Jesus Christ.” This statement begs the question of why the city needs Chief Nunn on the payroll if the Son of God is handling crime reduction. Many in the audience agreed with Nunn’s assessment, though, placing much of the blame for crime on children failing to attend church.

Nunn elaborated that it was easier to track felons released from the federal penal system as opposed to those released from state prisons, because the federal list included the offenders’ addresses. Nunn said that anyone with information helpful to police in catching criminals should be referred to in the neighborhood as a “community activist” instead of a “snitch.” One man later echoed his approval, shouting “Jesus did not have a microphone, he had a mighty voice! He was a community activist!”

Mayor Kincaid proclaimed that Birmingham has the largest police force in the state with more than 800 officers, though he failed to mention that because Birmingham is the largest city in the state, it would follow that its police force is also the largest. Kincaid said that $75 million of Birmingham’s $315 million annual budget is spent on public safety. The mayor acknowledged that police recruitment has been slow, but failed to address the long-running shortage of trained officers on the force. He added that he hoped to have money in next year’s budget to lure new hires with salary bonuses. That’s an odd statement by a man who once promised to make Birmingham police officers the highest paid in the state and then repeatedly fought efforts by the Birmingham City Council to grant pay increases to the force.

“Without witnesses, our hands are tied,” said District Attorney David Barber as he addressed why more crimes are not prosecuted. Barber added that tougher gun laws will not stop violence. “They’re going to find guns anyway, because we like to hunt or ride around with a gun in our pickup truck . . . It’s not a problem to get guns.” Birmingham City Councilor Miriam Witherspoon had this solution to violence: “We’re not preparing (school children) for anger management . . . We need to get back to being our brother’s keeper . . . We need to put a policeman in every household.” Witherspoon was presumably speaking figuratively.

Local bar owner and frequent mayoral and city council candidate T.C. Cannon asked about unreported crime. “This meeting was prompted by reported crime, which is only the tip of the iceberg,” said Cannon. “If all the crime was reported, we’d have to call out the National Guard.” Several residents at the meeting blamed crime on a low minimum wage. Another said that the lack of a proper public transit system was preventing many Birmingham high school graduates from attending the University of Montevallo, thereby robbing students of a full education. New Year’s Eve was singled out by residents in west Birmingham as “downright terrifying” (presumably due to the storm of gunfire that is traditionally unleashed on that night in the city’s poorer neighborhoods).

Local officials have admitted that the nature of much of the area’s violence—acquaintance-on-acquaintance crime—is the most difficult to police. “Black-on-black violence is a pandemic,” shouted one audience member. “It’s a form of self-hatred.” Another resident blamed “bullies” in schoolyards. A woman complained that “it’s too easy to get bail.” A young Southside resident told Kincaid and Nunn that “new paint jobs on police cars” will not eliminate crime. Kincaid corrected the young man. “It’s not just slapping paint on cars,” explained Kincaid, smiling. The mayor said that $1.2 million had been spent on 62 new police cars, as many of the old cars had amassed over 250,000 miles. Towards the meeting’s end, a man stood up and declared that the devil is to blame for Birmingham crime. “Satan is our biggest problem,” he said. “There has been a demonic spirit unleashed on this city.” One woman, who had finally had her fill of the endless religious posturing, said “I don’t think Satan is intentionally putting violence in Birmingham and not Mountain Brook.” She received the biggest round of applause all night. &

Who’s on First?

Who’s on First?

Your public official scorecard for the ongoing domed stadium debate.

April 19, 2007
As of April 13, Mayor Bernard Kincaid had no comment on the latest chapter in the ongoing soap opera involving Birmingham City Hall and the Jefferson County Commission about construction of a domed stadium, or “multipurpose facility” as Kincaid prefers to call it. Kincaid and Commission President Bettye Fine Collins had reached agreement a couple months earlier on a scaled-down version of the arena. Kincaid seemed confident that the facility would finally be constructed after more than a decade of debate. “When we met with the business leadership group, some of them wanted to see a business plan, which is being formulated as we speak,” Kincaid said at an April 10 press conference. “Upon its completion, I will then have them come back and present to the council, because it is a business decision, and hopefully at that point we can get the council to approve it.” The next day, the agreement between the Mayor and the commission president appeared to be crumbling when Collins announced that she would not support the arena unless the state legislature passes a bill that would keep in effect the county’s occupational tax. The tax is the county’s funding source for expansion of the Birmingham-Jefferson Convention Complex.

In February, Kincaid and Collins agreed on a facility smaller than the originally proposed 65,000 seats. The planned increase in exhibition space would be the same regardless of seating capacity. The BJCC board, which includes Kincaid and Collins, approved the proposal at a February 24 board retreat in Salt Lake City, Utah. Neither the Birmingham City Council nor the County Commission has approved the building of the proposed 40,000-seat arena.

Collins has previously opposed a domed stadium concept. She has since relaxed her previous opposition to football being played indoors at a multipurpose arena. Oddly, she refused to endorse the arena concept if the facility’s design allows for a future increase in seating capacity. BJCC executive director Jack Fields has said that

it would be too costly to retroactively increase the seating capacity if the arena was not designed with that option. Collins continued to balk at plans by Fields to spend $33 million of BJCC funds to add a 300-room extension to the adjacent Sheraton Hotel (also owned by the BJCC). Collins prefers that increased hotel space be paid for by private developers.

The Birmingham City Council had previously committed $8.8 million per year (for 30 years) for BJCC expansion when the facility’s proposed capacity was 65,000 seats. In February, after Kincaid and Collins found common ground for a smaller venue, Councilors Roderick Royal and Carol Duncan publicly supported the 40,000-seat facility. Councilors Carole Smitherman, Miriam Witherspoon, Steven Hoyt, and William Bell opposed the scaled-down arena (Smitherman has recently suggested that a “roof” be put over Legion Field). Councilors Valerie Abbott, Maxine Parker, and Joel Montgomery were undecided (Abbott and Montgomery opposed expansion proposals a year ago).

On April 16, the day before the County Commission was to vote on arena funding, several councilors elaborated on their stances. Abbott admitted she was leaning in favor of the project “if the sun, moon, and stars line up right,” adding that private investment for an entertainment district made building an arena more practical. Parker remained undecided, though she believed that it is not very pragmatic to limit seating to 40,000 with no expansion. “I don’t see what we’re getting for our full money’s worth with 40,000 seats,” noted Parker. Council President Smitherman has changed her mind somewhat. She now supports the smaller arena if improvements are also made to Legion Field. Witherspoon said she has not altered her position. “You always build a house with the anticipation of expanding,” said Witherspoon. “I don’t see the significance to building a domed stadium with a limited amount of seating without having the capacity to expand.”

The County Commission has committed $10 million annually, through 2008, to BJCC expansion. The commission also must approve the project, which would include extending the current annual payment until 2038. The county’s portion comes from an occupational tax that the state

legislature is considering for elimination. Commission President Collins said in the April 12 Birmingham News that it would be “foolish” for the commission to commit the money unless the legislature passes a bill guaranteeing the tax will remain.

Commissioner Larry Langford, a one-time proponent of a domed stadium, has stated he will not support a 40,000-seat arena that has no capacity to expand later. Langford has been critical of Kincaid and Collins for their newly formed close working relationship, since Kincaid failed to meet with him when Langford was commission president. Langford told the News that Collins and Kincaid had done little get their proposed arena accomplished since agreeing on the project.

Commissioner Shelia Smoot, who, like Langford, has voted for a domed stadium in the past, was initially undecided on the smaller facility, as was Commissioner Jim Carns. But after Collins began to back out of the deal, Smoot expressed her support for a domed arena. Langford reportedly now favors a larger arena with capacity exceeding 65,000. Carns shares Collins’ fear that the county cannot afford even the smaller facility without an occupational tax. Commissioner Bobby Humphryes has consistently opposed any domed stadium concept.

The cost for the 40,000-seat facility and related expansion is $505 million, whereas a 65,000-seat domed stadium would cost approximately $623 million. Governor Bob Riley has refused to commit state funds until the city and county approve the plan. As the time of this writing, the County Commission was scheduled to vote on April 17 on funding commitments for the arena. Neither arena proposals appear to have enough votes to pass. &

Soul Brother Number One is Done

Soul Brother Number One is Done

It’s show business as usual as the Godfather of Soul is laid to rest.

January 11, 2007

On December 30, 2006, fans packed the 8,500-seat James Brown Arena in Augusta, Georgia, to say goodbye to the hardest-working man in show business, James Brown. The hometown farewell was anything but reverent. A gathering of notorious friends and family created an embarrassing spectacle while Brown lay in an open coffin that gleamed like a polished brass trumpet. Admirers had begun lining up at 9 p.m. the night before to view Brown’s immaculately dressed body—pristine black suit, red shirt, and jewel-tipped shoes. As always, the bouffant hair-do was combed to perfection. The Soul Generals, his touring band, walked on stage as Brown’s longtime show emcee Danny Ray took over as master of ceremonies. The horns knocked out a typically funky riff to a James Brown hit, but something wasn’t right. The world is accustomed to a simple fact: when the band plays, James Brown moves. Instead, a large oil portrait of Brown singing stood near the casket. It was the beginning of an ugly afternoon.

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Lying in a gold-plated casket, James Brown is viewed by his wife, Tomi Rae Brown, at Brown’s memorial service in Augusta, Georgia. (click for larger version)

A series of former backup singers took turns belting out James Brown numbers, all except for Tomi (pronounced “Tommy”) Rae Brown, Brown’s widow, backup singer, and mother of the late star’s five-year-old son. Formerly Tomi Rae Hynie, a Janis Joplin impersonator whom Brown met in Las Vegas in 1997, Tomi Rae made headlines when she was locked out of the couple’s mansion in Beech Island, South Carolina, after Brown’s death on Christmas Day (whether the couple were legally married has been questioned). Instead of a James Brown song, Tomi Rae sang Sam and Dave’s “Hold On (I’m Comin’)” as she knelt over Brown’s open casket.

She sang the chorus while staring at her husband’s corpse, her performance marked by what appeared to be a touch of sarcasm. At one point, she snatched a rose from a nearby bouquet and dropped it on top of the singer’s body.

Their relationship had been tumultuous. Tomi Rae had Brown arrested in 2004 for threatening her with a metal chair. The charges were dropped. It was not the first time Brown had been locked up for abusing wives. Third wife Adrienne Rodriegues had him arrested four times during their 10-year marriage.

Michael Jackson’s appearance was predictably dramatic. After a grand entrance into the arena with his entourage, Jackson hovered close over Brown’s corpse, face to face. Speculation based on television images was that he kissed Brown’s cheek. In his trademark childlike voice, Jackson later addressed the gathering: “James Brown is my greatest inspiration. Ever since I was a small child, no more than like six years old, my mother would wake me no matter what time it was . . . to watch the television to see the master at work. And when I saw him move, I was mesmerized. I’d never seen a performer perform like James Brown. And right then and there I knew that was exactly what I wanted to do for the rest of my life.”

Al Sharpton was in charge at the event. Sharpton appeared distracted throughout the service until he took the microphone to eulogize Brown. He began by welcoming Jackson. “Michael says he don’t care what they say, Michael came for you today, Mr. Brown! I don’t care what the media says tonight. James Brown wanted Michael Jackson with him here today!” The crowd cheered. Sharpton then focused on Brown, noting that the singer had to struggle because “he wasn’t light-skinned with smooth hair. He looked like us.” (Unfortunately, Jackson’s reaction could not be seen when Sharpton said that.) The reverend spoke of Brown in heaven, speculating that he’s probably bragging to Ray Charles about how many people are showing up for his memorial services. (This was the second service; the first was two days earlier at the Apollo Theatre in Harlem.)

Sharpton implored, “St. Peter, if you don’t consider it too arrogant, I don’t know too much yet about what you do in heaven. But if you have Sunday morning service, you ought to let James Brown sing tomorrow morning. I know you got angels that can sing, but they never had to shine shoes on Broad Street (in Augusta)! They never had their heart broken! They never been to jail for doing nothing wrong!” From the podium, Sharpton openly criticized police for once “shooting 22 bullets into [Brown’s] vehicle, blowing out the tires . . . and for what?”

Sharpton omitted the rest of the story. In 1988, Brown, high on PCP, carried a shotgun into an insurance seminar next to his Augusta office. He accused the participants of using his private restroom. Brown was then pursued by police for half an hour into South Carolina. The chase ended when the tires of his truck were shot out. Brown served more than two years in a South Carolina prison.

Sharpton then introduced “my rabbi, mentor, and friend, Reverend Jesse Jackson.” Taking the stage, Jackson promptly announced, “James Brown upstaged Santa Claus on Christmas Day by making his transition!” Activist Dick Gregory spoke next. Then came the president of Augusta’s Paine College, who walked on stage in cap and gown to bestow a posthumous Doctorate of Humanities. It had been a four-hour service by the time the coffin was closed. For Tomi Rae, it had ended a little sooner. According to the story she told CNN’s Larry King several nights later, she had been asked to leave the funeral after vehemently denouncing Reverend Sharpton for referring to her on stage as “Tammy.” &