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	<title> &#187; Otis Redding</title>
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		<title>Soul Man</title>
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		<pubDate>Fri, 01 Jul 2005 23:10:16 +0000</pubDate>
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				<category><![CDATA[Music]]></category>
		<category><![CDATA[R&B]]></category>
		<category><![CDATA[Clarence Carter]]></category>
		<category><![CDATA[Muscle Shoals]]></category>
		<category><![CDATA[Otis Redding]]></category>

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		<description><![CDATA[By Ed Reynolds write the author Soul singer Clarence Carter appears Thursday, July 12 at Spanky&#8217;s on Valley. Southern rhythm and blues strutted with mischievous swagger on backroads between Memphis and Muscle Shoals in the &#8217;60s and early &#8217;70s. Frequently touted as &#8220;soul music&#8221; before disco steered the term soul straight into a mirror ball-lit [&#8230;]]]></description>
				<content:encoded><![CDATA[<div style="float: left; width: 50%;"><span class="author"><a title="click to see other articles by this author" href="http://www.bwcitypaper.com/1editorialtablebody.lasso?-token.searchtype=authorroutine&amp;-token.lpsearchstring=Ed%20Reynolds">By Ed Reynolds</a></span></div>
<div style="float: right;"><span class="author"><a href="http://www.bwcitypaper.com/Articles-i-2001-07-05-28320.111115-Soul-Man.html#543">write the author</a></span></div>
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<td align="right"><img class="editorialimages" style="border: black 0px solid;" src="http://www.bwcitypaper.com/editorial/2001-07-05/ClarenceCarter.gif" alt="/editorial/2001-07-05/ClarenceCarter.gif" width="220px" height="257px" /></td>
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<td class="cutline"><span class="cutline">Soul singer Clarence Carter appears Thursday, July 12 at Spanky&#8217;s on Valley.</span></td>
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<p><span class="body">Southern rhythm and blues strutted with mischievous swagger on backroads between Memphis and Muscle Shoals in the &#8217;60s and early &#8217;70s. Frequently touted as &#8220;soul music&#8221; before disco steered the term <i>soul </i>straight into a mirror ball-lit ditch, rhythm and blues slowly lost its sense of direction along those feel-good blacktops once the neon was shut off outside sleazy motels, chitlin&#8217; shacks, and juke joints. Clarence Carter, however, has never detoured from those little-known backroads. He continues to entertain hidden nightspots with his resonant baritone, lecherous chuckle, and sweet, bare-bones guitar picking. Lewd as ever, Carter still sings of loving other men&#8217;s wives, relishing his bawdy role as the Devil tempting women beyond all restraints of self-control.</span></p>
<p>In the mid-&#8217;60s, Clarence Carter hooked up with Rick Hall at Fame Studios in Muscle Shoals, where renowned soul producer Jerry Wexler signed Carter to Atlantic Records&#8217; stable of R&amp;B acts. Carter jumped onto the Top Ten charts with &#8220;Slip Away&#8221; in 1968, followed by &#8220;Patches&#8221; in 1970, his biggest pop hit. Blind since birth, Carter built a career narrating &#8220;cheatin&#8217; and sneakin&#8217;&#8221; songs laced with sexual obsession and lascivious infidelity. Titles such as &#8220;Dark End of the Street,&#8221; &#8220;Back Door Santa,&#8221; &#8220;Doin&#8217; Our Thing,&#8221; and &#8220;Take It Off Him and Put It On Me&#8221; suggest a lifetime of romantic pleasures. He scored his last major hit in 1993 with the overtly nasty &#8220;Strokin&#8217;.&#8221;</p>
<p>It&#8217;s been said that the beginning of the end for soul music began when Otis Redding&#8217;s plane crashed in 1967. While Redding&#8217;s death was a blow R&amp;B never quite shook off, soul singers hung in the ring many more years with champs like Wilson Pickett, Solomon Burke, Arthur Alexander, and Joe Tex belting out timeless R&amp;B in obscure clubs across America. Bruised and aging, soul music is still a powerful and beautiful thing to behold. And Clarence Carter is still standing.</p>
<p><span style="color: #800000;"> <i>Clarence Carter will perform at Spanky&#8217;s on Valley on Thursday, July 12. Tickets are $25. Call 945-1414 for details.</i></span></p>
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